Some Do Not … by Ford Madox Ford (story read aloud txt) 📕
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Some Do Not … opens at the cusp of World War I. Christopher Tietjens, a government statistician, and his friend Vincent Macmaster, an aspiring literary critic, are visiting the English countryside. Tietjens, preoccupied with his disastrous marriage, meets Valentine Wannop, a suffragette, during a round of golf. As their love story develops, the novel explores the horrors of the war without the narrative ever entering the battlefield.
The characters are complex and nuanced. Tietjens is an old-fashioned man even by the standards of his day; he’s concerned with honor and doing the right thing, but he lives in a society that only pays those values lip service. Yet he himself isn’t free of a thread of hypocrisy: he won’t leave his deeply unhappy marriage because that would be the wrong way to act, but the reader is left wondering if he tolerates his situation simply because he married up in class. He wants to do to the noble and right thing, but does that mean going to war?
The men and women around him each have their individual motivations, and they are often conniving and unlikable in their aspirations even as the propaganda of England at war paints the country as a moral and heroic one. The delicate interplay of each character’s subtleties paints a rich portrait of 1920s English society, as the romantic ideals of right and wrong clash with notions of ambition and practicality.
The prose is unapologetically modernist: unannounced time shifts combine with a stream-of-consciousness style that can often be dense. Yet Ford’s portrayal of shell shock, the politics of women in the 1920s, and the moral greyness of wartime is groundbreaking. The book, and its complete tetralogy—called Parade’s End—has garnered praise from critics and authors alike, with Anthony Burgess calling it “the finest novel about the First World War” and William Carlos Williams stating that the novels “constitute the English prose masterpiece of their time.”
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- Author: Ford Madox Ford
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The prizefighter, in tight box-cloth leggings, tight whipcord breeches, and a short tight jacket that buttoned up at the collar to his chin—the exact stud-groom of a man of property, gave a quick glance of recognition to Macmaster and then to Mr. Duchemin’s back another quick look, raising his eyebrows. Macmaster, who knew him very well because he had given Tietjens boxing lessons at Cambridge, could almost hear him say: “A queer change this, sir! Keep your eyes on him a second!” and, with the quick, light tiptoe of the pugilist he slipped away to the sideboard. Macmaster stole a quick glance on his own account at Mrs. Duchemin. She had her back to him, being deep in conversation with Tietjens. His heart jumped a little when, looking back again, he saw Mr. Duchemin, half raised to his feet, peering round the fortifications of silver. But he sank down again in his chair, and surveying Macmaster with an expression of cunning singular on his ascetic features, exclaimed:
“And your friend? Another medical man! All with stethoscope complete. It takes, of course, two medical man to certify …”
He stopped and with an expression of sudden, distorted rage, pushed aside the arm of Parry, who was sliding a plate of sole-fillets on to the table beneath his nose.
“Take away,” he was beginning to exclaim thunderously, “these conducements to the filthy lusts of …” But with another cunning and apprehensive look at Macmaster, he said: “Yes! yes! Parry! That’s right. Yes! Sole! A touch of kidney to follow. Another! Yes! Grapefruit! With sherry!” He had adopted an old Oxford voice, spread his napkin over his knees and hastily placed in his mouth a morsel of fish.
Macmaster with a patient and distinct intonation said that he must be permitted to introduce himself. He was Macmaster, Mr. Duchemin’s correspondent on the subject of his little monograph. Mr. Duchemin looked at him, hard, with an awakened attention that gradually lost suspicion and became gloatingly joyful:
“Ah, yes, Macmaster!” he said. “Macmaster. A budding critic. A little of a hedonist perhaps? And yes … you wired that you were coming. Two friends! Not medical men! Friends!” He moved his face closer to Macmaster and said:
“How tired you look! Worn! Worn!”
Macmaster was about to say that he was rather hard-worked when, in a harsh, high cackle close to his face, there came the Latin words. Mrs. Duchemin—and Tietjens!—had heard. He knew then what he was up against. He took another look at the prizefighter; moved his head to one side to catch a momentary view of the gigantic Mr. Horsley, whose size took on a new meaning. Then he settled down in his chair and ate a kidney. The physical force present was no doubt enough to suppress Mr. Duchemin should he become violent. And trained! It was one of the curious, minor coincidences of life that, at Cambridge, he had once thought of hiring this very Parry to follow round his dear friend Sim. Sim, the most brilliant of sardonic ironists, sane, decent and ordinarily a little prudish on the surface, had been subject to just such temporary lapses as Mr. Duchemin. On society occasions he would stand up and shout or sit down and whisper the most unthinkable indecencies. Macmaster, who had loved him very much, had run round with Sim as often as he could, and had thus gained skill in dealing with these manifestations. … He felt suddenly a certain pleasure! He thought he might gain prestige in the eyes of Mrs. Duchemin if he dealt quietly and efficiently with this situation. It might even lead to an intimacy. He asked nothing better!
He knew that Mrs. Duchemin had turned towards him: he could feel her listening and observing him; it was as if her glance was warm on his cheek. But he did not look round; he had to keep his eyes on the gloating face of her husband. Mr. Duchemin was quoting Petronius, leaning towards his guest. Macmaster consumed kidneys stiffly.
He said:
“That isn’t the amended version of the iambics. Willamovitz Möllendorf that we used …”
To interrupt him Mr. Duchemin put his thin hand courteously on Macmaster’s arm. It had a great cornelian seal set in red gold on the third finger. He went on, reciting in ecstasy; his head a little on one side as if he were listening to invisible choristers. Macmaster really disliked the Oxford intonation of Latin. He looked for a short moment at Mrs. Duchemin; her eyes were upon him; large, shadowy, full of gratitude. He saw, too, that they were welling over with wetness.
He looked quickly back at Duchemin. And suddenly it came to him; she was suffering! She was probably suffering intensely. It had not occurred to him that she would suffer—partly because he was without nerves himself, partly because he had conceived of Mrs. Duchemin as firstly feeling admiration for himself. Now it seemed to him abominable that she should suffer.
Mrs. Duchemin was in an agony. Macmaster had looked at her intently and looked away! She read into his glance contempt for her situation, and anger that he should have been placed in such a position. In her pain she stretched out her hand and touched his arm.
Macmaster was aware of her touch; his mind seemed filled with sweetness. But he kept his head obstinately averted. For her sake he did not dare to look away from the maniacal face. A crisis was coming. Mr. Duchemin had arrived at the English translation. He placed his hands on the tablecloth in preparation for rising; he was going to stand on his
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